{"id":5613,"date":"2018-12-04T10:49:09","date_gmt":"2018-12-04T09:49:09","guid":{"rendered":"https:\/\/www.reachextra.com\/un-acontecimiento-cultural-unico-que-ensancha-nuestras-fronteras\/"},"modified":"2019-02-28T15:32:57","modified_gmt":"2019-02-28T14:32:57","slug":"un-acontecimiento-cultural-unico-que-ensancha-nuestras-fronteras","status":"publish","type":"post","link":"https:\/\/reachextra.com\/es\/un-acontecimiento-cultural-unico-que-ensancha-nuestras-fronteras\/","title":{"rendered":"Un acontecimiento cultural \u00fanico que ensancha nuestras fronteras"},"content":{"rendered":"\n

\u201cSorprendentemente atrevida y repleta de atributos profesionales\u201d. Brian Catling, de la Real Academia de las artes de Londres, describe as\u00ed la presente edici\u00f3n de una exposici\u00f3n de la que ha sido juez. Afirma estar impresionado con el nivel art\u00edstico de una muestra que ha alcanzado los 45 a\u00f1os y a la que la que fueron presentadas 123 obras. Poeta, escultor y artista esc\u00e9nico, Brian se dedica en la actualidad a escribir una saga de libros de ciencia ficci\u00f3n.<\/p>\n\n\n\n

76 artistas de Gibraltar y Espa\u00f1a contribuyeron con amplio abanico de pinturas y esculturas.<\/p>\n\n\n\n

El premio principal Gustavo Bacarisas, dotado con 4.000 libras (aproximadamente 4.500 euros) recay\u00f3 en \u2018The Dog With the Broken Back\u201d (\u2018El perro de la espalda rota\u2019), de Judith Shaylor. Una obra que Catlin define como contradictoria: una imagen perturbadora cuya ejecuci\u00f3n pict\u00f3rica transmite calma y control. \u201cHay varias capas narrativas en el cuadro; se trata de una imagen intranquilizadora en la que no sabemos si el perro va a morir. Pero no es una obra sentimentaloide\u201d. Catlin se pregunta si acaso el cuadro captura un instante a caballo entre la vida y la muerte. Y a\u00f1ade que constituye una pintura fuerte y poderosa. Una imagen metaf\u00f3rica que combina conceptos abstractos y figurativos. Sencillo y efectivo.<\/p>\n\n\n\n

\"\"
‘El perro con la espalda rota’: Primer Premio<\/figcaption><\/figure>\n\n\n\n

El cuadro ganador del premio Jacobo Azagury, \u2018A Voyage into The Unknown\u2019 (\u2018Un viaje hacia lo desconocido\u2019), retrata el pe\u00f1\u00f3n de Gibraltar pero representa a la vez una traves\u00eda mar\u00edtima. Brian Catlin se\u00f1ala que esta obra de Gabriela Fern\u00e1ndez L\u00f3pez se centra en un instante de calma en medio de una gran tormenta, con un barco, quiz\u00e1s de refugiados, atravesando la escena. Estima que la pintura capta la esencia de los momentos en los que, estando en el mar, la tierra puede convertirse en una ilusi\u00f3n. Destaca por otro lado el esmero y la t\u00e9cnica de la artista, significando que usa ambas de manera eficaz para recrear la agitaci\u00f3n y el movimiento. Una pieza potente manejada con delicadeza.<\/p>\n\n\n\n

\"\"
Gabriela Fernandez: Segundo premio<\/figcaption><\/figure>\n\n\n\n

El tercer premio, Leni Mifsud, fue concedido a Derek Duarte por su escultura \u2018Naturaleza muerta\u2019. Se trata de una vieja silla de madera con ramas que reposa sobre una base y que el juez de la muestra define como pieza sencilla, pero de enorme presencia. Un objeto pr\u00e1ctico que tiene su historia pero ha perdido su utilidad, estando tambi\u00e9n muertas las ramas que brotan de su base. \u201cAlgo elegante y bello\u201d.<\/p>\n\n\n\n

\"\"
Derek Duarte ‘Naturaleza Muerta’<\/figcaption><\/figure>\n\n\n\n

El premio Rudesindo Mannia a la mejor pieza con tem\u00e1tica gibraltare\u00f1a fue adjudicado a un autorretrato. El impactante cuadro de Benjam\u00edn Hassan atrajo la atenci\u00f3n Catlin, que lo describe como \u201cmagn\u00edficamente pintado\u201d.<\/p>\n\n\n\n

\"\"
Benjamin Hassan Auto Retrato: Tema de Gibraltar<\/figcaption><\/figure>\n\n\n\n

.<\/p>\n\n\n\n

\"\"
Julian Osbourne: Young Artist<\/figcaption><\/figure>\n\n\n\n

.<\/p>\n\n\n\n

.<\/p>\n","protected":false},"excerpt":{"rendered":"

76 artistas de Gibraltar y Espa\u00f1a contribuyeron con amplio abanico de pinturas y esculturas. 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