{"id":5457,"date":"2018-11-28T16:44:33","date_gmt":"2018-11-28T15:44:33","guid":{"rendered":"https:\/\/www.reachextra.com\/con-los-pies-en-la-tierra-y-la-mirada-en-el-cielo\/"},"modified":"2019-02-28T15:38:13","modified_gmt":"2019-02-28T14:38:13","slug":"con-los-pies-en-la-tierra-y-la-mirada-en-el-cielo","status":"publish","type":"post","link":"https:\/\/reachextra.com\/es\/con-los-pies-en-la-tierra-y-la-mirada-en-el-cielo\/","title":{"rendered":"Con los pies en la tierra y la mirada en el cielo"},"content":{"rendered":"\n

Rosario P\u00e9rez <\/em><\/p>\n\n\n\n

Con \u201clos pies en la tierra y la mirada en el cielo\u201d\u2026 <\/em><\/p><\/blockquote>\n\n\n\n

As\u00ed es como se ha sentido muchas veces, a la hora de afrontar su vida y su obra. la pintora algecire\u00f1a Blanca Orozco, cuya obra \u2018Pedes in terra ad sidera visus\u2019 permanece expuesta desde el pasado mes de julio en el conjunto arqueol\u00f3gico de Baelo Claudia, en cuyas paredes habitar\u00e1 hasta el pr\u00f3ximo 30 de diciembre.<\/em><\/p>\n\n\n\n

Orozco no se imagina haciendo otra cosa que no sea pintando, y as\u00ed lo demuestra su extenso curr\u00edculum, con exposiciones en las Ferias de Arte Contempor\u00e1neo de M\u00e1laga y Madrid, la galer\u00eda de Nando Arg\u00fcelles en Sotogrande, la Galer\u00eda Manolo Al\u00e9s de La L\u00ednea, el Castillo de Guzm\u00e1n el Bueno en Tarifa, la Fundaci\u00f3n Jos\u00e9 Luis Cano y AlCultura, en Algeciras… Adem\u00e1s, parte de su prol\u00edfica obra ha podido ser disfrutada tambi\u00e9n en museos como el de Azuaga (Badajoz), Marmolejo (C\u00f3rdoba), y el de Arte Contempor\u00e1neo de Sof\u00eda (Bulgaria).<\/em><\/p>\n\n\n\n

\"\"
@Fran Montes<\/figcaption><\/figure>\n\n\n\n

\u201cYo siempre digo que nac\u00ed pintora, porque pinto desde peque\u00f1a, desde que me alcanza la memoria\u2026 De hecho, no tengo recuerdos m\u00edos sin pintar, y tampoco es algo que yo decidiera de manera racional, sino que es algo que fluy\u00f3 en m\u00ed de forma natural, como si hubiera nacido conmigo\u2026\u201d. <\/em><\/p>\n\n\n\n

\"\"
@Fran Montes<\/figcaption><\/figure>\n\n\n\n

As\u00ed, como algo natural, y no como un planteamiento, surgi\u00f3 la idea, primero, de que sus padres la inscribieran, a muy temprana edad, en una academia, y luego, a\u00f1os m\u00e1s tarde, de estudiar Bellas Artes en la Universidad. De la \u00e9poca universitaria guarda buenos recuerdos, pero tampoco cree que aquello marcara un antes y un despu\u00e9s en su trayectoria art\u00edstica, como tampoco lo hizo su estancia en Berl\u00edn, a pesar de todo lo que se enriqueci\u00f3 y nutri\u00f3 de ella. \u201cEn realidad, hasta que no te enfrentas a tu primera exposici\u00f3n y al reto que supone intentar ganarte la vida con la pintura no te das cuenta de que tienes que encontrar tu propio lenguaje, tu propio camino… Ah\u00ed, en ese salir al mundo con tu obra, en ese intentar que poco a poco se te vaya conociendo, es cuando empieza lo dif\u00edcil\u201d. <\/em><\/p>\n\n\n\n

\"\"
@Fran Montes<\/figcaption><\/figure>\n\n\n\n

Orozco, afincada desde hace a\u00f1os en Tarifa, donde tiene su estudio-taller, recuerda con cari\u00f1o que una de sus primeras exposiciones fue en Algeciras, en la sala Cajasur, en un mano a mano art\u00edstico con su amiga F\u00e1tima Conesa. \u201cFue la exposici\u00f3n con m\u00e1s volumen de obras de cuantas hab\u00eda hecho hasta entonces, y fue tambi\u00e9n la primera vez que un cuadro m\u00edo se vend\u00eda\u2026 Y en ese momento aprendes que eso genera en t\u00ed una sensaci\u00f3n contradictoria: por un lado, la alegr\u00eda y la satisfacci\u00f3n de que alguien quiera comprar algo tuyo, pero, por otro, esa especie de vac\u00edo que supone dejar ir algo que has creado t\u00fa\u2026 Es muy bonito que alguien valore una obra tuya, y la elija, y quiera pagar por ella, pero, al mismo tiempo, es raro desprenderse de algo tan personal, tan \u00edntimo, y ah\u00ed hay un aprendizaje\u2026 hasta que te acostumbras\u201d.<\/em><\/p>\n\n\n\n

\"\"
@Fran Montes<\/figcaption><\/figure>\n\n\n\n

Blanca Orozco tambi\u00e9n se siente docente; no en vano, tambi\u00e9n lleva ya diez a\u00f1os ense\u00f1ando a otros a pintar\u2026 aunque, seg\u00fan reconoce, a su manera: \u201cMe encanta ense\u00f1ar, pero con mucha libertad, y no concibo mis talleres sino como un espacio para la expresi\u00f3n y la creatividad\u2026 Siempre tiene que haber una base y una t\u00e9cnica, claro, pero el concepto de academia cl\u00e1sica no va conmigo\u201d.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Con \u201clos pies en la tierra y la mirada en el cielo\u201d\u2026 As\u00ed es como se ha sentido muchas veces, a la hora de afrontar su vida y su obra. 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